It is very easy to see where the style of the film comes from when you read through the pages of Drive, it's rawness, it's unsung and violent hero and it's glorious representation of driving in the extreme. In many ways the novel fills a few gaps that surround the mystery of the main character, Driver, whose identity in the film is very much a mystery. Sallis tells us a little of the man's past, how he was to become this cold, calculated criminal with a heart of gold and a strong willingness to act upon his vengeful feelings.
The novel itself is about Driver, a character with no other name. He is a successful Hollywood stunt driver and a car for hire on the side. It is in his car for hire role that he meets the scum of suburbia, of the inner city as he transports them from heists with no questions asked. It's because of this side job that he spirals into despair, a heist gone wrong, essentially a set up, he see's those that he cares for fall down around him. Driver goes on what can only be described as a rampage, he becomes a monster to serve out his own form of justice to a group of hardy gangsters. It is at this point we begin to really adore Driver in spite of the violence, he becomes a hero with a cause and a hero without conscience. His duty to revenge becomes his strongest motivation.
The most difficult thing to explain, and that which I struggle with the most, is our love of Driver. We shouldn't respect him, we shouldn't be cheering him on, yet we do. This man is a criminal, and he kills, yet he certainly became a saviour in my eyes, as I am sure he does in anyone's that read the novel. It's this ambiguity that really embodies the noiresque feel of this novel and what makes the novel so darn cool.
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